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ROWENA EASTON

MIKE BLOW

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MACHINES FOR SINGING is an architectural sound installation which 'plugs in' to a building to record the subsonic and supersonic life of its fabric. Real time audio streams are processed, to create a symphony out of the dynamic interplay of environmental forces with structural elements, and experienced live as the building's own music.

By exploring our relationship with the places we inhabit, and transforming our experience of space, Machines for Singing invites us to think about the built environment in new ways.

The pilot was installed at the Gardner Arts Centre in June for Architecture Week 06.

The project was inspired by Rowena's living in Embassy Court. The block's advanced state of disrepair made her very aware of her environment, there was a heightened sense of the physical. Buildings are not static structures and she wanted to make audible that which we would not otherwise hear, and encourage people to experience architecture as a 'living' structure.

The aim is to go on to work with a developer and architect on a new build: To design the installation into the fabric of the architecture. Eventually we hope to have a number of buildings around the world responding to each other and making music together.

 

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1oo

"This project gives a fascinating insight in to the hidden aspects of building technology. Architects focus on the visual aspects of their work and never, in my experience, the aural. This project crosses the boundaries of architecture and art in a truly unique way and I think opens up new fields of exploration. 'What does my building sound like?' is a question that has never been asked. It is a project with an almost limitless potential and deserves serious recognition and support."
Paul Zara, Director, Conran & Partners

"Machines for singing is an exciting experiment which innovatively fuses art and architecture in an as yet unexplored medium. The use of acoustic technology for designing spaces within a building envelope is commonplace, but tapping into and identifying an acoustic response from the structure to the activities within it is opening up a new dimension to architecture."
Michael Hammond, Editor, World Architecture News

" From the many imaginative ideas proposed by artists in the region, we selected six stunning projects, that have the power to make a real difference to the way people experience their environment. "
Felicity Harvest, Executive Director, Arts Council England

 

O))))

We would like to thank Chris Jones from Bruel & Kjaer UK; for his generosity in lending both his time and expertise to this project